The universe sings a snatch of a song
That jerks the lobe of your ear.
You sing it back, feeling fake
A mocking bird, mimicking meekly.
But,
Let those few notes sing, let yourself sing them.
Follow the universes's melody
With your own tuneless timorous tune,
No doubt sung poorly, no doubt sung prosaically,
But,
Nevertheless,
A poem.
Wednesday, November 27, 2013
Sunday, October 6, 2013
In Summation
Abacus
snicking, I calculate
The
accumulated total of
Teary
pillows, full of
Feelings,
each busy feeling.
They number
too many.
Salt sleep
soaked sockets
Subtract and
divide me.
Propped up
by mounds
Of pillows,
suffocation seems
The neat
simple solution.
Oh
Two = an
irrational number.
The
mathematical problem is
I swore off
love,
Properly. The
dramatic, repeated
Hand-on-heart
kind
That somehow sticks, stickily.
I choked it
effectively.
Now the
integers integrate,
All the
series correlate,
All the
factors escalate.
And
Two = a complex
number.
When the
equation balances,
The formula
replicates. Replicates.
The pillows
are dry;
The vow,
once given,
Cannot
unravel, it loops.
Love
eschewed, a cycle.
Freedom
lives in freedom,
It inhabits
the mind.
Now
Two = an
imaginary number.
He flickers
at first
Parenthetical
on my periphery,
This piece
of Greek.
I ignore,
obdurately ignore,
Turn my
pillow, collude
With its
cool, but.
The random
pattern entrances.
So
Two = a real
number.
I carry the
bracketed
Cluster of
symbols, allow
The
additional clause. Arcane
Words and
pillows dissolve,
Sequences
converge, joy multiplies.
The
mesmerise is infinite.
Yes.
Two = a
prime number.
This poem was first published in The Weary Blues journal by New Binary Press in December 2013. It was my first publication.
This poem was first published in The Weary Blues journal by New Binary Press in December 2013. It was my first publication.
Friday, May 24, 2013
Untitled Poem
You wanted divinity
I was laughingly crude.
You wanted oblique mystery
I was openly yours.
You wanted feverish dysentry
I was body temperature cool.
You wanted polished refined sweetness
I was half raw cane sugar, half-tart.
You wanted a glass of Pinot
I was a luke-warm Tipperary apple juice.
Whatever else they may say of love,
It does not bother with check-lists.
I was laughingly crude.
You wanted oblique mystery
I was openly yours.
You wanted feverish dysentry
I was body temperature cool.
You wanted polished refined sweetness
I was half raw cane sugar, half-tart.
You wanted a glass of Pinot
I was a luke-warm Tipperary apple juice.
Whatever else they may say of love,
It does not bother with check-lists.
Tuesday, April 30, 2013
Start at the Beginning, he said. I know it's hard to find where the beginning is...
Start at the
beginning, he said. I know it's hard to find where the beginning is, in real
life, but it helps to start there.
I was sitting on
a hard chair in the therapists's utilitarian office, wishing I was lying on a
leather couch, feeling like a cliché. A cliché would have been able to start
talking, cut to the quick, pour out the story, bleed on the floor, mop it up,
and suture themselves afterwards.
Instead, I
wanted to cross my legs, but was afraid of looking too fidgety, so I sat
uncomfortably still.
I don't know
where the beginning is, I said.
Well, let's
start with the beginning of coming here today, then. You made an appointment
last Tuesday, why did you decide to telephone the office?
Well. I was
feeling lousy, and not really sleeping, for weeks really, or longer, and I am
pretty sure that I look like a wreck and I see people smiling at things I can't
imagine myself smiling at, and I hate them for it and for making me pretend to
smile and I got sick of hating them when they are perfectly fine people,
really. So I googled therapists near here and telephoned, I decided it would be
a good thing to do. I thought that maybe you could give me some tips about
setting things aside.
I stared at the
fake plant behind him the whole time I gave this excuse. It looked as if I was
looking at him, making eye contact (I hoped it did anyway), but it was easier
than actually looking at him. The dreaded eye-contact.
When did you
stop sleeping?
Look at him -
one sentence reply to no non-specific description and already ready for
specifics. Now that's what I call a therapist.
A few months
ago, I guess.
Evasion feels
like my teenage best friend, someone you keep close but who does not ever
really help you.
The fake plant
is dusty, and is a kind of irritatingly exotic green colour, with leaves that
are meant to look waxy, that you would really only find on a mountain in Spain,
next to an olive plant. It's really the most fake looking fake plant I have
ever seen. A veritable piece of chicanery. The base of it is hidden behind his
chair so I can't see if the creators of this pinnacle of blandness have gone
done the cliché route of having the soil covered over with fake pebbles bit at
the bottom.
The silence has
grown bloated.
I am sorry, I
have never done this before, it all feels a bit awkward and I don't know where
to start. It feels a bit cliché, you know, girl sees therapist hoping to cure a
broken heart.
Is that why you
are here? Because of a broken heart?
I suppose so. I
mean, I think the broken heart stuff has led to all the other stuff. I can kind
of live with the broken heart, but all the other stuff is distracting, I can't
get any work done and I can't quite click back into normal one-player mode the way
I want to.
His shoe-lace is
undone. In an annoying way.
Normal
one-player mode. I like that.
Really? Huh. My
parents find that quite odd and kind of try to be funny about it, but still
really, they just find it quite odd. I am a coder, you see, in the gaming
industry, I do other online projects too, and coders, well, they think like
coders. People who don't do it for a living don't really get it, but we really
actually think like coders or like gamers - commands, if/then options, player
modes. And, when you spend time with other coders, like when you are working
all the time, and they think the same way and they joke the same way, and,
well, it gets harder not to code everything, really.
So, how are you
coding your broken heart? How can you code a broken heart?
Well, hah, this
will make you laugh. On a whim, I actually googled that. Hello Google, how do
you code a broken heart? Regards, me. All the responses were about coding a
broken heart symbol in Facebook. Which I knew how to do if I had every really
thought about doing it, but which nobody would really ever want to do. Can you
imagine anything worse than everyone knowing you have a broken, sore and messy
heart? If you can't imagine any thing worse, let me tell you there is one thing
- trumpeting it on Facebook as though it's something people either a) want to
hear about or b) aren't already laughing about among themselves. Except, of
course, if that is what Google responded with, then there are people who
actually want to do that.
Why would people
laugh at your broken heart?
Well, it's about
who broke it, I suppose. I mean ordinary people aren't so horrible that they
would laugh at someone getting hurt, or at least they mostly aren't that
horrible. It's just because of who broke it that I think my friends would roll
their eyes and say, well, you had to see that coming really?
And, did you see
it coming?
Yes, God, yes.
That's the awful thing. I have had a Cranberries song in my head for ages now,
even while things were fine actually – you know the one, the verse goes: the
thing that makes me mad, is the one things that I had, I knew, I knew I'd lose
you. And I did, even when things were blissful and impossibly good, I knew it
wouldn't last. I am such an idiot.
Last song on the
album. Best song on the album. She does a live version on Jools Holland, I bet
half the Youtube views are mine.
I don't
understand why you would think you are an idiot for getting emotionally
involved with someone. Do you want to explain that to me?
Ok so, maybe you
are right, in normal circumstances. But it wasn't exactly normal circumstances.
The only way that I can really explain this is by starting from the start.
Monday, April 22, 2013
Sunset Snippet
The sky is cornflower blue
With candy floss pink clouds
With butterscotch caramel streaks
A lovely lickable sunset vista
With candy floss pink clouds
With butterscotch caramel streaks
A lovely lickable sunset vista
Saturday, April 20, 2013
Minding the Dog
She's grand. Don't fret.
Two minutes in the microwave,
The dog's alright.
She's had her dinner heated.Two minutes in the microwave,
Stirred half-way through.
Organic porridge oats added.
She's had her tummy rubbed
And her ears tickled, gently.
She seemed disdainful, though, somehow.
She's had her paws massaged,
With frankinsence.
And a hot towel cleanse before it.
She was flown by magic carpet
To the boutique walking location of her choice.
There was no interference in her choice.
She had her pick of postmen,
Or politicians to bark at, and she barked.
Then she walked away, disappointed.
So we fed her again, as she indicated
She was hungry, for cheese only.
Gruyere, some brie. Of course, some cheddar.
We put the fire on, just for her.
She roasted and cooled, in stretches.
The scented candles helped, we thought.
She is in her bed now, lightly snoozing.
The dog's alright.
She's grand, don't fret.
Poor pooch.
Tipperary, 06/04/2013
Tipperary, 06/04/2013
Thursday, April 4, 2013
Poetry is scum on tea
Poetry is scum on tea
Because the water's limey
Poetry is part of me
But someone else's scripture
Poetry's a honey bee
It makes all else unsightly
Poetry is not for free
It lives there in the margins
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