Sunday, October 6, 2013

In Summation

Abacus snicking, I calculate
The accumulated total of
Teary pillows, full of
Feelings, each busy feeling.
They number too many.
Salt sleep soaked sockets
Subtract and divide me.
Propped up by mounds
Of pillows, suffocation seems
The neat simple solution.
Oh
Two = an irrational number.

The mathematical problem is
I swore off love,
Properly. The dramatic, repeated
Hand-on-heart kind
That somehow sticks, stickily.
I choked it effectively.
Now the integers integrate,
All the series correlate,
All the factors escalate.
And
Two = a complex number.

When the equation balances,
The formula replicates. Replicates.
The pillows are dry;
The vow, once given,
Cannot unravel, it loops.
Love eschewed, a cycle.
Freedom lives in freedom,
It inhabits the mind.
Now
Two = an imaginary number.

He flickers at first
Parenthetical on my periphery,
This piece of Greek.
I ignore, obdurately ignore,
Turn my pillow, collude
With its cool, but.
The random pattern entrances.
So
Two = a real number.

I carry the bracketed
Cluster of symbols, allow
The additional clause. Arcane
Words and pillows dissolve,
Sequences converge, joy multiplies.
The mesmerise is infinite.
Yes.


Two = a prime number.

This poem was first published in The Weary Blues journal by New Binary Press in December 2013. It was my first publication.

Friday, May 24, 2013

Untitled Poem

You wanted divinity
I was laughingly crude.

You wanted oblique mystery
I was openly yours.

You wanted feverish dysentry
I was body temperature cool.

You wanted polished refined sweetness
I was half raw cane sugar, half-tart.

You wanted a glass of Pinot
I was a luke-warm Tipperary apple juice.

Whatever else they may say of love, 
It does not bother with check-lists.

Tuesday, April 30, 2013

Start at the Beginning, he said. I know it's hard to find where the beginning is...

Start at the beginning, he said. I know it's hard to find where the beginning is, in real life, but it helps to start there.

I was sitting on a hard chair in the therapists's utilitarian office, wishing I was lying on a leather couch, feeling like a cliché. A cliché would have been able to start talking, cut to the quick, pour out the story, bleed on the floor, mop it up, and suture themselves afterwards.

Instead, I wanted to cross my legs, but was afraid of looking too fidgety, so I sat uncomfortably still.

I don't know where the beginning is, I said.

Well, let's start with the beginning of coming here today, then. You made an appointment last Tuesday, why did you decide to telephone the office?

Well. I was feeling lousy, and not really sleeping, for weeks really, or longer, and I am pretty sure that I look like a wreck and I see people smiling at things I can't imagine myself smiling at, and I hate them for it and for making me pretend to smile and I got sick of hating them when they are perfectly fine people, really. So I googled therapists near here and telephoned, I decided it would be a good thing to do. I thought that maybe you could give me some tips about setting things aside.

I stared at the fake plant behind him the whole time I gave this excuse. It looked as if I was looking at him, making eye contact (I hoped it did anyway), but it was easier than actually looking at him. The dreaded eye-contact.

When did you stop sleeping?

Look at him - one sentence reply to no non-specific description and already ready for specifics. Now that's what I call a therapist.

A few months ago, I guess.

Evasion feels like my teenage best friend, someone you keep close but who does not ever really help you.

The fake plant is dusty, and is a kind of irritatingly exotic green colour, with leaves that are meant to look waxy, that you would really only find on a mountain in Spain, next to an olive plant. It's really the most fake looking fake plant I have ever seen. A veritable piece of chicanery. The base of it is hidden behind his chair so I can't see if the creators of this pinnacle of blandness have gone done the cliché route of having the soil covered over with fake pebbles bit at the bottom.

The silence has grown bloated.

I am sorry, I have never done this before, it all feels a bit awkward and I don't know where to start. It feels a bit cliché, you know, girl sees therapist hoping to cure a broken heart.

Is that why you are here? Because of a broken heart?

I suppose so. I mean, I think the broken heart stuff has led to all the other stuff. I can kind of live with the broken heart, but all the other stuff is distracting, I can't get any work done and I can't quite click back into normal one-player mode the way I want to.

His shoe-lace is undone. In an annoying way.

Normal one-player mode. I like that.

Really? Huh. My parents find that quite odd and kind of try to be funny about it, but still really, they just find it quite odd. I am a coder, you see, in the gaming industry, I do other online projects too, and coders, well, they think like coders. People who don't do it for a living don't really get it, but we really actually think like coders or like gamers - commands, if/then options, player modes. And, when you spend time with other coders, like when you are working all the time, and they think the same way and they joke the same way, and, well, it gets harder not to code everything, really.

So, how are you coding your broken heart? How can you code a broken heart?

Well, hah, this will make you laugh. On a whim, I actually googled that. Hello Google, how do you code a broken heart? Regards, me. All the responses were about coding a broken heart symbol in Facebook. Which I knew how to do if I had every really thought about doing it, but which nobody would really ever want to do. Can you imagine anything worse than everyone knowing you have a broken, sore and messy heart? If you can't imagine any thing worse, let me tell you there is one thing - trumpeting it on Facebook as though it's something people either a) want to hear about or b) aren't already laughing about among themselves. Except, of course, if that is what Google responded with, then there are people who actually want to do that.

Why would people laugh at your broken heart?

Well, it's about who broke it, I suppose. I mean ordinary people aren't so horrible that they would laugh at someone getting hurt, or at least they mostly aren't that horrible. It's just because of who broke it that I think my friends would roll their eyes and say, well, you had to see that coming really?

And, did you see it coming?

Yes, God, yes. That's the awful thing. I have had a Cranberries song in my head for ages now, even while things were fine actually – you know the one, the verse goes: the thing that makes me mad, is the one things that I had, I knew, I knew I'd lose you. And I did, even when things were blissful and impossibly good, I knew it wouldn't last. I am such an idiot.

Last song on the album. Best song on the album. She does a live version on Jools Holland, I bet half the Youtube views are mine.

I don't understand why you would think you are an idiot for getting emotionally involved with someone. Do you want to explain that to me?

Ok so, maybe you are right, in normal circumstances. But it wasn't exactly normal circumstances. The only way that I can really explain this is by starting from the start.

Monday, April 22, 2013

Sunset Snippet

The sky is cornflower blue
With candy floss pink clouds
With butterscotch caramel streaks
A lovely lickable sunset vista

Saturday, April 20, 2013

Minding the Dog

She's grand. Don't fret. 
The dog's alright. 
She's had her dinner heated.

Two minutes in the microwave,
Stirred half-way through.
Organic porridge oats added.

She's had her tummy rubbed
And her ears tickled, gently.
She seemed disdainful, though, somehow.

She's had her paws massaged,
With frankinsence.
And a hot towel cleanse before it.

She was flown by magic carpet
To the boutique walking location of her choice.
There was no interference in her choice.

She had her pick of postmen,
Or politicians to bark at, and she barked.
Then she walked away, disappointed.

So we fed her again, as she indicated
She was hungry, for cheese only.
Gruyere, some brie. Of course, some cheddar.

We put the fire on, just for her.
She roasted and cooled, in stretches.
The scented candles helped, we thought.

She is in her bed now, lightly snoozing.
The dog's alright.
She's grand, don't fret. 

Poor pooch.


Tipperary, 06/04/2013

Thursday, April 4, 2013

Poetry is scum on tea

Poetry is scum on tea
Because the water's limey
Poetry is part of me 
But someone else's scripture
Poetry's a honey bee
It makes all else unsightly
Poetry is not for free
It lives there in the margins

Thursday, July 28, 2011

Shame Demons, A Short Story

The shame demons came last week.

The time moved in snatches once the shame demons arrived.

I went to a hen party, in a house near the supermarket where we bought cheap and luminous ice creams as children. The icecreams then were more fun than the hen party was now. At the hen party, which had spilled out on the street, I overheard a conversation between a childhood friend and another person where she spoke blankly of her parents selling their house.

Without knowing why, something rang untrue to me - how could she have no feelings about the imminent loss of her family home? As I walked home from the party, I saw a llama walking out the road to my house. I had never seen a llama, and the road was very busy, which should have frightened the animal. I went to the animal, to ensure it got off the road safely, and guided it as far as my house. The llama stood outside the cattle-grid, and would not come inside.

I realised it was crying. Such a beautiful animal, its neck long and high, with a coat that fashion designers could not even fathom. And, tears streamed from its eyes. Its face was lined and sore, it looked as though the llama could not stop crying. I could only surmise that the exhaust fumes from the cars were bothering it. And yet, I could not convince myself that this was why the llama cried. I have never seen any creature so sad. It felt.

I stayed a while with the animal, trying to calm and soothe it, so that it would stay at the gate long enough for me to get my parents out to hold it while I called someone to pick it up. It settled itself, slowly.

When I walked up the drive, I could see my parents were talking to a visitor. A woman, dressed like a City accountant, suited and booted, and slick, and sharply beautiful. Hair was groomed and glossy; creases straight and hard. She looked somehow unreal or hyper-real, as though etched more deeply into existence than any normal person. 

She was friendly, in that pitching, bitching, over-the-top kind of friendly. She was accompanied by an alarmingly attractive man, wearing cool glasses, with sallow eyes. Wordless, I found myself reserved, and oddly afraid to mention the crying llama.

I found an excuse to leave, pretending to check the post-box. When I got to the cattle-grid, the llama was gone, and the grid was missing all but one of its poles. My fear intensified, and, after using the fence to scrabble around the side of the grid, I looked up the road and saw the llama. It was standing in the direct line of the traffic, just below the crest of the hill, as though it knew the cars would not see it as they came over the hill.

It got distressed as I came towards it, tossing its head, scraping the tarmac with its left front hoof. It cried all the while. 

I tried and tried to drag the animal down the road. I had fistfuls of its hair in my hands, I pulled at its legs. I hugged its neck to me. Then a wind swept up, and the leaves were rustling, and dusk had happened. In a moment, things were eerily calm again, and I turned to find the woman, all charcoal grey pinstripe patent, standing directly behind me.

The llama was cowed now, on its knees, meeker than I thought an animal could be who was not a pet, meeker than I could imagine from an animal I had just seen so obstinate.

"Come", she said to it; not a word to me. Both utterances spoke of disdain and power. It followed her, head down, even its coat seemed flattened, somehow.

Down the road she walked, followed by a shamed animal. I watched, then walked towards my house. When I got back to the driveway, the cattle-grid was as it always had been, intact, a mixture of rust, shine and solidity. I could not bring myself to walk on it, my imagination red-raw and throbbing.

When I got the house, a deal had somehow been done. My parents had noticed nothing odd about the visitors, but they had been bargaining over their family home, including every photograph and valued item we owned, every memory too. It seemed not to phase them, they were blankly happy to start again. As part of the bargain, they had sworn to contact no friends or family for a year, allowing the visitors their privacy. It seemed to me that my parents had agreed to allow the demons to settle into our lives.

The man was not there to make the deal today, they said. He would come back later. But it was all settled. They had shook on it. I found myself filled with fury and frustration; all my arguments ignored, unanswered even, as though my parents had obdurately chosen to manage a toddler's tantrum.

Friends, neighbours, family, they all seemed off-kilter too. Stagnant silence and outbreaks of hostile resentfulness should have proved odd and worthy of comment. But nobody cared enough to comment.

Our house was gradually being etched in that too-real way.

I could see all the disturbance and feel it all. I spoke to a friend on the telephone, shouting with anger and barking with fear about the buyers. My hand gripped the telephone receiver as though I could squeeze all this away.  Neither emotion nor logic registered with my parents; my objections were conducted away in the beat of a hand accustomed to managing a long symphony of obstruction. I have never felt so alone.

I relayed that odd property deals had begun to be reported in the town and they told me I was no longer welcome.

I stood at the front door, my back to our yard, one hand on the door handle. Feeling an odd sensation, I turned to find the woman, again immediately behind me.

"I know you and your thoughts," she said. "Come with me."

She walked down the drive to the cattle grid, she walked over it. I climbed around it. "You think you are too clever, but they have agreed you will pay part of the price," she shook her head. When I was at the other side, I looked down, it was once again a gaping hole, a toothless mouth.

I stood there, looking at my home. I felt so full of shame that I could not speak. My parents had sold all we owned, our lives, for mere money. They were determined to be oblivious to their loss. Worms of fear crawled in me.

The woman stood beside me; smugness was her scarf.

I even longed for the llama to come back. At least her sadness was a better feeling. 

I turned to walk up the road, away from my town, my home, my family and I saw the llama ahead. She saw me, and cried once more. I cried too, my coat flattened to me, my hooves unused to the hard road.

I walked to meet her and we walked together, side by side, behind the shame demons, until they found another life they wanted.